Proyecto Prometeo: Maremagnum — cover of volume I
Volume I Three sections
Volume I of the trilogy

PROYECTO
PROMETEO

Maremagnum

A man goes back to look for the woman he loves. The clock insists on the same hour, sand appears where there is no reason for sand, and there is a wooden box with something written on it in a language almost no one reads.

“That vast and chaotic sea no longer frightens.”

The novel is published here, a new chapter every week. What has opened stays open for good. The rest waits.

The chapters

The chapters are published in Spanish. The novel has not been translated yet — the readers' list will say so when it is.

Open Still in the box

Four stages,
and no one says which is which

The old art called this the Great Work. Here it happens between four people and none of them knows which stage is theirs

Nigredo

What rots first. The cold that sets the edges, because without an edge nothing has a shape.

Albedo

What is washed. Someone writes down what happens and, in writing it, decides what happened.

Citrinitas

The yellow that does not end. Look for its edges: it has none.

Rubedo

The red of the end, which is also the red of the beginning. Someone is watching all of this from somewhere.

The three titles of the trilogy are terms from old cartography. Mapmakers used them to name what they had not yet seen.

Three volumes,
a single turn

Cover of Maremagnum — Epecuén section
Volume I

Maremagnum

The chaos of the beginning. Being published here, chapter by chapter.

Volume II

Terra Incognita

What appears on no map. Being written.

Volume III

Non Plus Ultra

The limit where what can be named comes to an end.

Would you like to know
when Helena wakes?